Members may be interested in this virtual lecture. A little virtual get-away may be just the thing.
Please note that the time is Central Time.
https://www.artic.edu/events/5360/virtual-lecture-inca-textiles-under-colonial-rule
Weaving and other fiber-based fun for 45 years and counting
Members may be interested in this virtual lecture. A little virtual get-away may be just the thing.
Please note that the time is Central Time.
https://www.artic.edu/events/5360/virtual-lecture-inca-textiles-under-colonial-rule
CWG member, Laura Martin has supported and donated to this organization. She would like to share this announcement.
WEAVING FOR JUSTICE PRESENTS
7th ANNUAL TEXTILE SALE
to BENEFIT MAYA YOUTH
Taylor Rey of Las Cruces modeling a huipil woven on a back-strap loom by a weaver from San Lucas Tolimán, Guatemala. Donated by Jim Swearingen to Weaving for Justice to raise scholarships for Maya youth.
Friday October 29th & Saturday October 30th, 2021
11 am – 5 pm, NMSU University Museum Courtyard, Kent Hall,
1280 E. University Ave., Las Cruces, New Mexico
20% discount for all students!
All proceeds from sales of donations will go to Maya students in Belize, Guatemala, and Chiapas, Mexico to help them continue studying, despite the many obstacles they face. Weaving for Justice partners with the Maya Educational Foundation in this project (www.mayaedufound.org)
Parking is free on campus on Saturdays. Other days single-day and weekly NMSU visitor parking permits are available through the NMSU website: https://park.nmsu.edu/visitor/Although we will be outside in the Museum courtyard, we would appreciate your wearing a face mask to help us all stay safe. Contact weavingforjustice@gmail.com for more information.
Fifty-three individuals generously donated over 1,000 woven garments, household items, jewelry, books, pottery, and tourist items from Mesoamerica and other parts of Latin America to Weaving for Justice to raise funds for scholarships for Maya children and youth. The photo above is of one special donor family – Robert and Miriam Laughlin and their daughter Liana. The year is 1960 and Bob and Mimi are with Liana and her godfather, Romin Teratol of Zinacantán, Chiapas. Romin became Bob’s partner in his research on the Tsotsil language of Zinacantán. Bob went on to become a renowned linguist of Mayan languages, Mimi a writer of short stories about life in highland Chiapas. Both Bob and Romin have passed on. Romin’s son, Xun, is now Director of Sna Jtz’ibajom (House of the Writer), an organization of Maya writers in San Cristóbal de Las Casas which mentors University students who will benefit from this fundraiser.
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A WAKE
Great Aunt:
There’s no end to sickness,
death won’t go away.
At least you’re not the only one;
I’m going to die, too.
All of us will become Earth.
All of us will be mud.
There are no two ways about it:
I’m coming right behind you, here beside you.
Little marigold:
Flower of death:
How many are buried beneath this cross?
How many underneath our prayers?
By Maruch Méndez Pérez from
Incantations: Songs, Spells and Images by Mayan Women
Days of the Dead are coming soon, a special time to remember loved-ones who have passed on. If you plan to make an altar in your home, we recently received many cloths like the one in this photo which make a lovely background for photos and offerings. The cloths are woven by weavers in Mujeres Por La Dignidad, a Zapatista co-op based in San Andrés Sakam Ch’en de Los Pobres, Chiapas. They come in many colors and are 10 “ wide x 20 “ long and cost $25. If you are not able to come to our October sale and would like to purchase a cloth, we sell the black one on Instagram.
Saturday, October 16th sale at our store!
From 10 – 4 pm on October 16th we will have our monthly sale at our store at Makai Suites, 525 E. Lohman Ave., upstairs in Suite C, Las Cruces, New Mexico. All proceeds from sales of textiles from Chiapas co-ops go to the weavers to help them stay on their lands and not be forced to migrate. Please stop by if you are in our area.
We also sell remotely on Instagram, both the donated textiles as well as textiles from Chiapas cooperatives. Links to our Instagram and Facebook pages are on our website homepage – www.weaving-for-justice.org
We welcome DONATIONS & MEMBERSHIPS which help us sustain our all-volunteer organization and assist the weavers during these difficult times. You can find the DONATE button on our website homepage. While there you’ll see links to our membership page and our 2021 ANNUAL NEWSLETTER with an overview of our work with weaving groups and scholarship students over the past year.
Embroidered phulkari textiles on view in Handmade Creating Textiles in South Asia, Photo by Lori Kartchner.
https://museum.gwu.edu/handmade-creating-textiles-south-asia
Artists, cooperatives, and workshops across Bangladesh, India, and Pakistan are creating new textile designs inspired by centuries-old traditions. Join George Washington University art history professor Cristin McKnight Sethi and curator of the forthcoming exhibition, “Handmade: Creating Textiles in South Asia,” at the GW Textile Museum as she shares artist stories alongside vibrant examples of handmade saris, scarves, and other garments. To learn more about the exhibition and related programming please visit https://museum.gwu.edu/handmade-creating-textiles-south-asia.
Contact Form from CWG Website The Toledo Area Weavers Guild is hosting a virtual workshop on Crackle Weave on 4-shafts with Susan Conover. It will take place April 10 & 11, 2021. This will be two days of weaving on the loom, lectures and instruction. Cost: $100. Contact Lou Ann Glover : lglover@mvcds.org for all the details. Phone: 419-824-5373 |
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Embroidered phulkari textiles on view in Handmade Creating Textiles in South Asia, Photo by Lori Kartchner.
https://museum.gwu.edu/handmade-creating-textiles-south-asia
Artists, cooperatives, and workshops across Bangladesh, India, and Pakistan are creating new textile designs inspired by centuries-old traditions. Join George Washington University art history professor Cristin McKnight Sethi and curator of the forthcoming exhibition, “Handmade: Creating Textiles in South Asia,” at the GW Textile Museum as she shares artist stories alongside vibrant examples of handmade saris, scarves, and other garments. To learn more about the exhibition and related programming please visit https://museum.gwu.edu/handmade-creating-textiles-south-asia.
Abaca cloth is woven from the outer sheath of the trunk of a banana species indigenous to the Philippines.
http://www.tmasc.org/default.htm The Tboli and Blaan people of the southernmost island of Mindanao in the Philippines offers some of the most beautiful, skillful and sacred examples of material culture to be found throughout Southeast Asia. The weaving of the abaca ikat fabric (tnalak) has become synonymous with the Tboli, as has their intricate beadwork, embroidery and brasswork which richly decorates their garments. The Blaan, sister tribe to the Tboli, weave their own treasured and rare abaca ikat cloth (tabih). Their spectacular heirloom garments are adorned with impressive patterns of hand-hewn, mother-of-pearl beads. Independent researcher and collector Craig Diamond presents the ikat weaving traditions of both tribes as well as identifying and discussing the impressive garments worn by both the men and women.
This comes from Patty,
“It is interesting to read about and see the interview with a really big name in American Textile Design in the 20th & 21st Centuries.”
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Join program host Key Jo Lee and CMA research fellow Andrea Vazquez de Arthur for a deep and guided exploration of a single mola, made using appliqué and reverse appliqué techniques. Learn about these processes and their complex associations with the Guna understanding of the universe.
Watch the most recent Desktop Dialogue to learn more about the meaning of molas, the subject of the current exhibition Fashioning Identity: Mola Textiles of Panamá, in Guna culture.
Look for it on Wednesday, November 18 at noon. A Desktop Dialogue from CMA
https://www.clevelandart.org/desktop-dialogues
Their description follows:
How do materials and fabrication processes convey meaning in a work of art or design?
Join CMA research fellow Andrea Vazquez de Arthur and museum guide Leonardo Pérez Carreño from the Museo de la Mola in Panamá City, Panamá, for a conversation about making and meaning in molas, a key component of traditional dress among indigenous Guna women and the subject of the upcoming exhibition Fashioning Identity: Mola Textiles of Panamá.
https://vimeo.com/event/443819
https://vimeo.com/event/443819
https://vimeo.com/event/443819